Ilford ID-11
View allAll Photos Tagged developer
FP4 N+1 in Tanol,
Ware´s New Cyanotype onto COT-320, developer Nitric acid 4 minutes,
Lead acetate toner 30 seconds
TD: Kodak Tri-X 35mm film, developer D76 1+1 8'20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Fuji Acros in Finol (N-1),
Kallitype on Hahnemühle Platinum Rag,
Sodium acetate developer, MT3 Vario toner, followed by MT10 Gold toner
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Late afternoon light on the marsh, Bald Head Island.
590nm IR-converted Pentax K-5
Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
Das Record Rapid ist eines der Papiere, die keinen, oder nur wenig Verzögerer im Lithentwickler benötigen. Easy Lith FT Special enthält jedoch eine größere Menge Kaliumbromid. Dennoch kann dieser Entwickler verwendet werden, das Papier benötigt dann jedoch eine erheblich längere Belichtungszeit. Unabhängig von der Entwicklerabstimmung liegt der Snatch-Point normalerweise bei etwa 10 Minuten. Auch bei einer längeren Belichtungszeit kommen dann die Lichter nicht wesentlich farbiger, es sei denn, es wird ein zweiter Entwickler für die Lichter eingesetzt. Nach der üblichen langen Entwicklungszeit im Lith, bringt der zweite Entwickler allerdings nur wenig Effekt, weil die Lichter schon ausentwickelt sind. Soll ein anderer Ton für die Lichter erzeugt werden, muß die Entwicklungszeit im Lith verkürzt werden, damit der zweite Entwickler noch ausreichend unentwickeltes Silbersalz vorfindet. Allerdings würde dann das, für dieses Papier übliche tiefe Schwarz fehlen. Deshalb braucht es eine kurze Behandlung mit einem Nachbrenner (mit B oder Omega) nach dem Lith. Sobald sich ein tiefes Schwarz in den Schatten zeigt, wird zweimal kurz gespült, bevor im Siena die noch fehlenden Lichter entwickelt werden. Das mag kompliziert klingen, doch erfahrene Lithprinter werden dies nachvollziehen können.
Record Rapid is one of the papers that require little or no restrainer in the lith developer. Easy Lith FT Special, however, contains a larger amount of potassium bromide. Nevertheless, this developer can be used, but the paper then needs a considerably longer exposure time. Regardless of the developer adjustment, the snatch point is usually around 10 minutes. Even with a longer exposure time, the highlights then do not come out much more coloured, unless a second developer is used for the highlights. After the usual long development time in the lith, however, the second developer brings little effect because the highlights are already developed out. If a different tone is to be produced for the highlights, the development time in the lith must be shortened so that the second developer still finds sufficient undeveloped silver salt. However, the deep black that is usual for this paper would then be missing. Therefore, it needs a short treatment with an afterburner (with B or Omega) after the lith. As soon as a deep black appears in the shadows, a short rinse is done twice before the still missing highlights are developed in the Siena developer. This may sound complicated, but experienced lith printers will be able to follow this.
Nikon FM2n with 50mm lens. Fomapan 100 devd in Rodinal. Old stock Fomabrom 123 paper devd in Rollei vintage lith developer.
Hasselblad, PXP @400 in eco film developer.
Foma Retrobrom
Überbelichtung ca. 2 Blenden, ermittelt mit Heiland Splitgrade Controller (Papierspeicher Festgradationspapier).
SE5 Lith (A+B+D+water) 50+50+10+1000ml 7:30 minutes.
Hinweise für die Verarbeitung.
Bei Entwicklungszeiten über 10 Minuten können sich Snowballs bilden. Versucht man durch längere Belichtungszeit auf eine kürzere Entwicklungszeit zu kommen, verstärkt sich das Problem, falls die Überbelichtung dann schon über 2,5 bis 3,5 Blenden liegt. In solchen Fällen ist es erfolgversprechender, den Entwickler etwas fetter einzustellen, oder den Gehalt an Lith D zu reduzieren.
Hinweis zur Trocknung auf Sieben.
Dieses Papier ist relativ schwach gehärtet. Bei der Trocknung auf Sieben mit der Schichtseite nach unten kann es zu Schichtverletzungen mit punktuellen Siebmustern kommen.
Processing instructions.
Snowballs may form during development times exceeding 10 minutes. Attempting to achieve a shorter development time by increasing the exposure time will exacerbate the problem if the overexposure already exceeds 2.5 to 3.5 f-stops. In such cases, it is more promising to adjust the developer to be slightly richer or to reduce the Lith D content.
Note on drying on screens.
This paper is relatively weakly hardened. When drying on screens with the coated side facing down, the coating may be damaged, resulting in selective screen patterns.
Horton Grove Nature Preserve
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
16:9 panorama crop
Iridient Developer
Only just taller than a tree ...
El Capitan in afternoon light (and forced perspective).
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Scanned LF print.
Crown Graphic w/ Wollensak Optar 135 mm/f4.7.
Sept 25, 2021.
Fomapan 100 (9x12 cm) in Rodinal 1+100, semistand 1 h.
Split grade printed on Ilford MG IV RC Pearl (8x10"), developed in Ilford MG developer and split toned in Thiourea and Selenium.
PS borders.
Mr Shahir in action :)
---
Make: Rollei Rolleicord III Type 2
Lens: Schneider Kreuznach Schneider Xenar 75mm f3.5
Film: Lupa. Antara Kodak Pro 160, Kodak Portra, atau Fuji 160 S.
Light meter: Lunix 4 Selenium Light Meter
Develop: Fujifilm C-41 developer
Currently listening to: Mike Oldfield - Ommandawn 2/3 (warning! flute out of tune)
a seagull flies against strong wind on the Sydney coast, July 2020. Olympus OM4-Ti OM Zuiko 21mm f/3.5, Ilford HP5+ in Ilfotec HC developer dilution 1+47. V700 scan.
© copyright 2020 Lynn Burdekin. All Rights Reserved.
The road to Wayah Bald
Nantahala National Forest
IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Exa IIb, Kodak Tri-X developed in Unitol, negative scan, digital development in Lightroom.
A walk around Durham in October 1965 - the new road bridge under construction taken from near the west end of Framwelgate Bridge.
Rollei SL66SE, Carl Zeiss Planar 80mm f/2.8, Kodak T-MAX 400 Professional, developed in Ilfosol S 1+9, 60mm negative digitised by photographing on a light pad, digital processing in Lightroom.
The Corridor Route is a path ascending Scafell Pike from Sty Head; this is a view down the Corridor from near Piers Gill to Sty Head (the tarn may be discerned) and Borrowdale - notice Castle Crag, outlined against Derwentwater. Skiddaw (left) and the shapely Blencathra (centre-right) are prominent in the haze of the far distance.
I have no records, but I probably used a red filter when taking this shot, to cut the haze as much as possible.
Blue star (Amsonia tabernaemontana), Eno River State Park
Pentax K-1
Mirex tilt/shift adapter
Pentax-A 645 Macro 1:4 120mm (wide open, as I recall)
Iridient Developer
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Trees Snow and Clouds on Seventh Heaven at Stevens Pass in the Cascades of Washington State.
Camera: Nikon N60
Lens: Nikkor 28-80mm zoom
Film: Fujifilm Acros 100 II Neopan, Expired 10/2021
Developer: Beerenol (Rainier Beer)
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
It was early autumn but the weather was more like late summer on Dee Why beach, Sydney, March 2019.
Camera: Yashica 635 twin lens reflex
Lens: Yashinon 80mm f/3.5
Film: Kodak TMAX100
Developer: Kodak TMAX dilution 1+4.
Filtration: Yellow filter
Scan: Epson V700.
Post processing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
Rollei Magic II TLR + Schneider Xenar 75mm f3.5
Kentmere Pan 100 Film + Ilford Ilfosol S Developer.
Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.